Frank Turner releases a brand new single ‘Letters’, the latest track following ‘Girl From The Record Shop’, ‘No Thank You For The Music’ and ‘Do One’ to be taken from his tenth album ‘Undefeated’, out May 3rd via Xtra Mile Recordings. On the single he says, “‘Letters’ is a song that I’ve been working on for a long time; in some ways I’ve been writing it since a genuine pen-friendship of mine dried up when I was a kid, when the mix-tapes stopped coming through the post. It’s a song about communication and its breakdown, about nostalgia for teenage romance, and about how reassessing those things as an adult can be the start of a healing process.”
“Now I’m surprised to report that as I enter my forties, I’ve returned to being an angry man,” he sings on the recent track ‘No Thank You For The Music’. And that’s a concise statement as to what to expect from ‘Undefeated’, Frank’s follow-up to his first UK #1 album, 2022’s ‘FTHC’. Finding the sweet spot between youthful outspokenness and surviving midlife’s challenges, it’s a record that explores both emotionally compelling topics and lighter reflections on those troubles that eventually come to most of us. Who you are versus who you wanted to be in your youth; life-altering love; fading friendships; wistful nostalgia; the mental fallout and political consequences that still linger from the pandemic era; and the more prosaic issue of persistent backache.
Frank says, “There are no clichés about the difficult 10th album, so in some ways, that's a liberating statement. But at the same time, I have a duty to justify writing and releasing a 10th album. That's a lot of records for anybody. Also, I’m 42. Which is not a sexy, rock’n’roll age. But all through my career, I've been interested in writers like Loudon Wainwright III or The Hold Steady, people who write about adulthood, essentially.”
While thematically ‘Undefeated’ is informed by this time in life, sonically it’s full of echoes to influences that Frank has touched upon at various moments in his kaleidoscopic career. It switches from Black Flag to Counting Crows, from Descendents to The Pogues, via Elvis Costello and Billy Bragg. Its freewheeling nature is reflective not only of his new-found independence, but also of the creative environment he found himself in. As usual, it was entirely written by himself, but this is the first album that he produced himself.
Eileen Carpio
“Now I’m surprised to report that as I enter my forties, I’ve returned to being an angry man,” he sings on the recent track ‘No Thank You For The Music’. And that’s a concise statement as to what to expect from ‘Undefeated’, Frank’s follow-up to his first UK #1 album, 2022’s ‘FTHC’. Finding the sweet spot between youthful outspokenness and surviving midlife’s challenges, it’s a record that explores both emotionally compelling topics and lighter reflections on those troubles that eventually come to most of us. Who you are versus who you wanted to be in your youth; life-altering love; fading friendships; wistful nostalgia; the mental fallout and political consequences that still linger from the pandemic era; and the more prosaic issue of persistent backache.
Frank says, “There are no clichés about the difficult 10th album, so in some ways, that's a liberating statement. But at the same time, I have a duty to justify writing and releasing a 10th album. That's a lot of records for anybody. Also, I’m 42. Which is not a sexy, rock’n’roll age. But all through my career, I've been interested in writers like Loudon Wainwright III or The Hold Steady, people who write about adulthood, essentially.”
While thematically ‘Undefeated’ is informed by this time in life, sonically it’s full of echoes to influences that Frank has touched upon at various moments in his kaleidoscopic career. It switches from Black Flag to Counting Crows, from Descendents to The Pogues, via Elvis Costello and Billy Bragg. Its freewheeling nature is reflective not only of his new-found independence, but also of the creative environment he found himself in. As usual, it was entirely written by himself, but this is the first album that he produced himself.
Eileen Carpio
Radio
×